Reed to Perform with Ashland Native, Kevin Jones, Feb. 17

The Department of Music at Ashland University announces a concert featuring Dr. Thomas Reed, Professor of Music, on clarinet, with guest artist and Ashland native, Kevin Jones on piano. The free, public concert will be held on Monday, Feb. 17 at 7:30 p.m. in the Elizabeth Pastor Recital Hall in the Center for the Arts (formerly known as the Arts & Humanities Building).

For his 35th consecutive annual faculty concert at Ashland University, Dr. Reed will perform a program of classical pieces with Mr. Jones including Cantilene by Louis Cahuzac, Gordon Jacob's four-movement arrangement of Tartini's Concertino, and Paquito D'Rivera's Two Pieces for Clarinet and Piano. After an intermission, they will return to the stage for Carl Maria von Weber's Grand Duo Concertante, Op. 48.

Reed is professor of music and chair of the departments of music and theatre at Ashland University where he has taught since 1986 in a number of areas including applied woodwinds, music theory and jazz studies. He is a member of the Akron Symphony and Ashland Symphony, was a long-time member of the Cleveland Jazz Orchestra, and has performed on clarinet or saxophone with the Cleveland Chamber Symphony, Cleveland Orchestra, Blossom Festival Orchestra, Pro Musica Chamber Orchestra, Dayton Philharmonic, Youngstown Symphony, Blossom Festival Band and the Jazz Unit. He has been a soloist with the Akron, Mansfield and Ashland Symphonies and performs on CDs from the Akron Symphony, Cleveland Chamber Symphony, Cleveland Jazz Orchestra and the Paul Ferguson Jazz Orchestra. His clarinet CD “Mutually Inclusive” was released in 2008 on Capstone Records. He is also a founding member of Iron Toys, a woodwind quartet that performs original repertoire for saxophones, clarinets and flutes. The quartet released their first CD in 2015. He holds degrees from The Ohio State University, the University of Michigan and the University of Akron.

Kevin Jones began formal musical training at the age of four. After preparatory and high school musical training in Ashland with Judith Thomas and John Gilbert, he attended Southern Methodist University and completed his undergraduate degree at Ashland College, studying organ with Karel Paukert and piano with Elizabeth Pastor. Mr. Jones went on to earn graduate degrees in Collaborative Piano and in Organ Performance at the Cleveland Institute of Music, studying with Pastor, Karel Paukert, Anne Epperson, Thomas Muraco, and Vivian Hornik Weilerstein.

From 1996 to 2004, Jones held the post of Musical Director/Conductor of the New York City based Gilbert & Sullivan ensemble, the Blue Hill Troupe, Ltd. With that ensemble he made his Carnegie Hall conducting debut as guest with Skitch Henderson’s New York Pops Symphony Orchestra. Along with U.S. performances at the Cleveland Museum of Art, Oberlin College, and the Metropolitan Museum of Art and many other sites, he has performed throughout Europe and the Far East including a recent performance on the Pipes at One series at St. Paul’s Chapel, NYC.

From 2007 to 2012, Jones was Canon Precentor and Director of Music at Christ Church Cathedral, Hartford, Connecticut, as well as being a member of the vocal division faculty at the Hartt School. Since 2013, Mr. Jones is Minister of Music at First Congregational Church, Columbus, Ohio, where he oversees a large music program of four choirs and the longstanding concert series Concerts at First Church.

Reed Performs Concert of Classics and Jazz, Mar. 31

The Department of Music at Ashland University announces a concert of classical and jazz music featuring by Dr. Thomas Reed on Sunday, Mar. 31 at 7:30 p.m. in the Elizabeth Pastor Recital Hall.

For his 34th consecutive annual faculty concert at Ashland University, Dr. Reed will perform on clarinet and saxophone with pianists Susan Gregg and Lanny Gooding; Erin Helgeson Torres on flute; Scott Garlock, trombone; Paul Martin, bass; and Steve Berry, drums.

The concert program will include classical pieces from Schubert, Muczynski and Saint-Saens along with jazz standards and contemporary pieces by Dameron, Amarante, Fats Waller, Cole Porter and Marc Johnson.

Sharing More from Liz Pastor Celebration

On Sunday, Feb. 3, we hosted an event to celebrate Ashland University Trustees Professor Elizabeth Pastor. With friends, family, colleagues and former students in attendance, the event began with a reception in the Coburn Gallery and moved to the Elizabeth Pastor Recital Hall for a program of remembrances and other tributes interspersed among musical selections.

Since many were unable to attend for various reasons, we want to share the event with you. Please follow the links below to view printed materials and videos.

• The bulletin from the Celebration
• A video compilation of her life which was shown at the event
• The printed program from the Celebration
• A video of the celebration's program of stories and music

We also invite you to join the Celebrating Liz Pastor Facebook group where new stories are being shared everyday.

It is evident that Liz's legacy and love for the arts will live on in all of us.

Please feel free to share this email and links.

Faculty Recital Showcases Trombonists from Cleveland Pops and Jazz Orchestras

The Ashland University Department of Music presents a faculty recital featuring Dr. Scott Garlock, Professor of Music on trombone along with guest ensemble Le Bon Bones on Monday, Jan. 28 at 7:30 p.m. in the Elizabeth Pastor Recital Hall. The concert is free and open to the public.

The evening's concert will present a program of trombone music culled from the 16th century to our current millenium. Selections will include Mozart's Requiem "Tuba Mirum," G. F. Handel's Dance Suite, Felix Mendelssohn's Nocturne, Pavane for a Dead Princess by Maurice Ravel, Nessun Dorma by Giacomo Puccini, Bear Dance by Bela Bartok, Chorale from Jupiter by Gustav Holst, Prelude, Op. 34 by Dmitri Shostakovich, Afred Reed's Fanfare, Cappricio for 8 trombones by Eric Ewazen, Domine, Salva Nos by William Byrd, as well as, Body and Soul by Johnny Green and Bill Reichenbach's Back to the Fair.

The members of Le Bon Bones including Dr. Garlock are members of the Cleveland Pops Orchestra, Cleveland Jazz Orchestra, Mansfield Symphony Orchestra, Youngstown Symphony Orchestra, The Akron Symphony Orchestra, The Suburban Symphony and The Ashland Symphony Orchestra.

Lipsky, Reed & Hoca: A Chamber Music Concert, Oct. 22

Maestro Arie Lipsky (cello and flute), Dr. Thomas Reed (clarinet) and Claudia Hoca (piano) combine and showcase their talents for a chamber ensemble concert on Monday, October 22 at 7:30 p.m. in the Elizabeth Pastor Recital. The performance is free and open to the public.

The program begins with Maestro Lipsky on flute and Ms. Hoca on piano as they perform Paul Schoenfield's Achat Sha'alti, a passionate piece based on Psalm 27, and the playful and rhythmic Ufaratsta (Hebrew for Valentine), followed by Lili Boulanger's fast and lively D'un Matin de Printemps (A Spring Morning). Maestro will then switch to the cello for Sergei Rachmaninoff's Sonata in G minor for cello and piano, op. 19 in four movements in which most of the themes are introduced by the piano then embellished by the cello. After the intermission, Dr. Reed will perform Igor Stravinsky's Three Pieces for Clarinet Solo which begins on a clarinet in A then changes to a B-flat clarinet for the final movement while the asymmetrical piece is characterized by constant shifts in meter and time signatures. The concert will conclude with all of the musicians performing Johannes Brahms' Trio, op. 114, in four movements for clarinet, cello and piano.

Known in the Ashland area as the music director and conductor for the Ashland Symphony Orchestra, Arie Lipsky is a native of Haifa, Israel, where he received extensive training as a cellist and flutist. He holds degrees in Aeronautical Engineering and Music which he received before serving in the Israeli armed forces as a tank commander. After moving to the United States, Arie served as Assistant Conductor of the Cleveland Institute of Music Orchestra and graduated from there with distinction. During this period he also assumed conducting responsibilities with the Ohio Light Opera. He moved to Buffalo, New York in 1984 to become the Philharmonic's principal cellist and, in 1990, also became the Resident Conductor, a position he held for twelve years. He was a prize winner in the Chicago Cello Society Competition and performed as principal cellist with the Haifa Symphony Orchestra, the Cleveland Opera and the Colorado Music Festival; and has performed as cellist with the New Arts Trio since 1996. Maestro Lipsky is currently in his twenty-first season as Music Director and Conductor of the Ashland Symphony Orchestra, and in his seventeenth season as Music Director and Conductor of the Ann Arbor (Michigan) Symphony. He is also the Principal Guest Conductor of the Haifa Symphony Orchestra and is also a frequent conductor with orchestras in Europe, Israel, and North America.

Dr. Reed joined Ashland University faculty in 1986 and serves as professor of music and chair of the Department of Music and Theatre. He is a member of the Akron Symphony (bass clarinet) and Ashland Symphony (principal clarinet), was a long-time member of the Cleveland Jazz Orchestra (saxophone), and has performed on clarinet or saxophone with the Cleveland Chamber Symphony, Cleveland Orchestra, Blossom Festival Orchestra, Pro Musica Chamber Orchestra, Dayton Philharmonic, Youngstown Symphony, Blossom Festival Band and the Jazz Unit. He has been a soloist with the Akron, Mansfield, Clarence and Ashland Symphonies and performs on CDs from the Akron Symphony, Cleveland Chamber Symphony, Cleveland Jazz Orchestra, the Jazz Unit and the Paul Ferguson Jazz Orchestra. His clarinet CD “Mutually Inclusive” was released in 2008 on Capstone Records. He is also heard as a founding member of Iron Toys, a woodwind quartet that performs original repertoire for saxophones, clarinets and flutes, on their CD released in 2015. He holds a DMA in Clarinet Performance from The Ohio State University, an M.M. in Saxophone Performance from The University of Akron, and a B.M in Music Education from The University of Michigan.

Ms. Hoca is the recipient of numerous awards, including top prizes in the Chopin Young Pianist Competition and the Washington International Bach Competition. While still a teenager, she appeared with the Boston Pops under Arthur Fiedler, the Philadelphia Orchestra, and the New York Philharmonic in a Young People's Concert, broadcast live on network television. She has played over 20 different concertos with the Buffalo Philharmonic, has appeared in recitals throughout the United States and abroad and is much sought after as a chamber music collaborator. Her recordings include a premier recording of the piano music of Leo Smit on the Spectrum label and two collaborations with Philharmonia Virtuosi of New York available on the Essay label. She is often seen on the Kleinhans Stage as orchestral pianist with the BPO and has for the past five summers been the orchestral pianist of the Chautauqua Symphony Orchestra. Ms. Hoca is a graduate of the Curtis Institute of Music in Philadelphia, the State University of New York at Buffalo, and she received a Fulbright grant to return to her native Austria, where she pursued advanced studies under Bruno Seidlhofer.

Reed Performs Concert of Songs & Dances, 11/5

The Department of Music at Ashland University announces a concert of Songs & Dances by Dr. Thomas Reed on Sunday, Nov. 5 at 5 p.m. in the Elizabeth Pastor Recital Hall in the Center for the Arts.

For his 33rd consecutive annual faculty concert at Ashland University, Dr. Reed will perform on clarinet and soprano saxophone with pianist Susan Gregg, violinist Jane Reed, percussionist Andy Pongracz and Gary Davis on trumpet. His concert program is comprised of contemporary compositions and arrangements of songs and dances including:

• Darius Milhaud's "Suite, op. 157b" which is inspired by a baroque dance suite with a jazz rhythmic style
• Paul Bowles' "Music for a Farce" consisting of 8 sections of "slap-stick"-like music with chase scenes and corny sentimental music
• Catherine Hoover's arrangement of John Dowland's three Elizabethan lute songs in "Ayres"
• Dave Heath's expressive and exciting "Concerto for Soprano Saxophone: The Celtic"

Reed is professor of music and chair of the departments of music and theatre at Ashland University where he has taught since 1986 in a number of areas including applied woodwinds, music theory and jazz studies. He is a member of the Akron Symphony and Ashland Symphony, was a long-time member of the Cleveland Jazz Orchestra, and has performed on clarinet or saxophone with the Cleveland Chamber Symphony, Cleveland Orchestra, Blossom Festival Orchestra, Pro Musica Chamber Orchestra, Dayton Philharmonic, Youngstown Symphony, Blossom Festival Band and the Jazz Unit. He has been soloist with the Akron, Mansfield and Ashland Symphonies and performs on CDs from the Akron Symphony, Cleveland Chamber Symphony, Cleveland Jazz Orchestra and the Paul Ferguson Jazz Orchestra. His clarinet CD “Mutually Inclusive” was released in 2008 on Capstone Records. He is also a founding member of Iron Toys, a woodwind quartet that performs original repertoire for saxophones, clarinets and flutes. The quartet released their first CD in 2015. He holds degrees from The Ohio State University, the University of Michigan and the University of Akron.

Guenther Performs 20th Annual Organ Recital at AU

Dr. Timothy Guenther, University organist, will perform his 20th annual organ recital at Ashland University on Sunday, Jan. 29 at 4 p.m. in the Jack and Deb Miller Chapel. His concert will focus on North German organ music in celebration of the 500th anniversary of the Reformation, and in preparation for the Ashland University Choir tour to North Germany in March 2017.

Featuring the University's M.P. Moeller Pipe Organ, the concert will include Martin Luther's A Mighty Fortress Is Our God and Lord, J. S. Bach's Prelude and Fugue in C Minor, along with Felix Mendelssohn's How Vast Is God the Father's Goodness along with compositions by Buxtehude, Scheidt, Tunder, Kerll, Walther, Krebs, Zimmerman, Rheinberger, Distler, Ahrens and Reger.Free & Open to the Public.

Garlock Faculty Recital, Monday, Jan. 23

Ashland University Department of Music's first event of the busy 2017 Spring semester is a faculty recital featuring trombonist Dr. Scott Garlock, Professor of Music, on Monday, January 23 at 7:30 p.m. in the Elizabeth Pastor Recital Hall.

Titled "Variations in C and His Relative," the concert will feature music in the key of C and its relative minor (a), while two of the works are theme and variation sets.  The program includes Charles Tournemire's Legendé, Arthur Frackenpohl's arrangement of Variations on a Theme by Shostakovich, Pastorale for tenor and bass trombone by Eric Ewazen, The Felix Variations for solo bass trombone by David Del Tredici, and Franz Joseph Haydn's Achieved is the Glorious Work from "The Creation."

With Garlock playing the tenor and bass trombones, he will be assisted by pianist Mark Koehler and Susan Gregg, trombonists Jaylynn Buchmelter and Cody Henderson, and Eileen Navratil on euphonium.

Thomas Reed's Faculty Recital, Oct. 9

The Department of Music at Ashland University announces a faculty recital by Dr. Thomas Reed's on Sunday, October 9 at 7:30 p.m. in the Elizabeth Pastor Recital Hall in the Center for the Arts (formerly known as the Arts & Humanities Building). The concert is free and open to the public.

For his 32nd consecutive annual recital, Dr. Reed will perform on clarinet with pianists Susan Schoeffler and Susan Gregg, as well as his son, Charles Reed on cello. His program will begin with Ludwig van Beethoven's Trio in B-flat, op. 11, also known as the "Gassenhauer Trio" in three movements (Allegro con brio, Adagio and Tema con Variazione). After a brief intermission, he will perform Carl Maria von Weber's Concerto No. 2 in E-flat, op. 74, with Allegro, Romanze and Polacca movements.

Reed is professor of music and chair of the departments of music and theatre at Ashland University where he has taught since 1986 in a number of areas including applied woodwinds, music theory and jazz studies. He is a member of the Akron Symphony and Ashland Symphony, was a long-time member of the Cleveland Jazz Orchestra, and has performed on clarinet or saxophone with the Cleveland Chamber Symphony, Cleveland Orchestra, Blossom Festival Orchestra, Pro Musica Chamber Orchestra, Dayton Philharmonic, Youngstown Symphony, Blossom Festival Band and the Jazz Unit. He has been soloist with the Akron, Mansfield and Ashland Symphonies and performs on CDs from the Akron Symphony, Cleveland Chamber Symphony, Cleveland Jazz Orchestra and the Paul Ferguson Jazz Orchestra. His clarinet CD “Mutually Inclusive” was released in 2008 on Capstone Records. He is also a founding member of Iron Toys, a woodwind quartet that performs original repertoire for saxophones, clarinets and flutes. The quartet released their first CD in 2015. He holds degrees from The Ohio State University, the University of Michigan and the University of Akron.

Seven Recitals Performed in Less Than Three Weeks!

The Department of Music at Ashland University announces seven recitals which are scheduled over the next three weeks. From faculty and senior recitals to the fall honors recital, the concerts will offer performances by instrumentalists (flute, saxophone, organ, piano, cello, and guitar) and musical theatre vocalists. All of the following performances are free and open to the public.

The marathon of recitals begins on Sunday, November 1 at 7:30 p.m. in the Elizabeth Pastor Recital Hall with a faculty recital by flutist Jane Berkner. Ms. Berkner will perform with cellist Miles Richardson, pianist Susan Gregg and Stephen Aron on guitar. Primarily featuring flute and cello, the program will include Jean-Michel Damase's Sonate en Concert, Eric Lamb and Martin Rummel's arrangement of J.S. Bach's (Re)Inventions, Heitor Villa Lobos' Jet Whistle, Lake Wallenpaupack by Daniel Dorff and Danzas de le Abuela by Ricardo Iznaola.

There will be three separate recitals the following Sunday, November 8 beginning at 1 p.m. in the Elizabeth Pastor Recital Hall with a senior recital featuring music education major Jessica Barnhouse (Cambridge, Ohio). Miss Barnhouse will present her senior saxophone recital accompanied by pianist Susan Gregg and guest performers Jaylynn Buchmelter, trombone; Derek Rangel, guitar; her private instuctor Dr. Thomas Reed, guitar; and Polly Dexter, drums. Her program will include Giovannini's Rhapsody, J.S. Bach's Two Bourrées from Third Cello Suite, Darius Milhaud's Scaramouche, along with Gershwin's Summertime, Parker's My Little Suede Shoes and more.

At 4 p.m. in the Jack and Deb Miller Chapel, Dr. Timothy Guenther will present his faculty recital in celebration of the 25th Anniversary of the reconstructed Olive Williams Kettering Memorial M. P. Möller Pipe Organ. The repertoire includes music by J.S. Bach, José Lidon, César Franck, Felix Mendelssohn, Paul Hindemith, Eunice Lea Kettering, Knut Nystedt, Paul Desmond, and Joseph Bonnet; and features the Ashland premiere of the Chorale Fantasia by J.S. Bach on “Wo Gott der Herr nicht bei uns hält”, BWV 1128, discovered in March 2008.

Returning to the Recital Hall at 7:30 p.m., senior applied vocal major Fatima Imani Smith will perform a musical theatre revue to fulfill her senior music project. Directed by Andrea Disch, accompanied by pianist Deb Logan, and assisted by tenor Jake Riley and baritone Deric Dove, Fatima will present her original show of "Musicals Throughout the Ages." Fatima studies voice privately with Stephanie Sikora.

On Sunday, November 15, senior instrumental music education major Rachel Crow (Reynoldsburg, Ohio) kicks the day off at 1 p.m. in the Recital Hall with her senior piano recital. Under the tutelage of her private instructor Susan Schoeffler, Rachel's program includes piano classics from Brahms' Rhapsody to Beethoven's Sonata (Op. 49, Nov.2), along with Rachmaninoff's Moment Musical, five movements from Prokofieff's Vision Fugitives and The Entertainer by Scott Joplin.

At 7:30 p.m. on November 15, saxophonist and instrumental music education major Shayne Smith (Bellevue, Ohio) will present his senior recital in the Recital Hall. He will be accompanied by pianist Susan Gregg and assisted by fellow sax players Michael Byndas, Derek Rangel, Jessie Barnhouse, Jaylynn Buchmelter, Jason Wolf and Nick Slinger. He will perform classic pieces by Robert Schumann and Jean Baptiste Singelee along with contemporary selections including Rudy Wiedoeft's Saxophobia, Dave Heath's The Celtic Concerto, and Little Gap, Pennsylvania by Charles W. Smith. Shayne studies privately with Dr. Thomas Reed.

On Wednesday, November 18 Thursday, November 19 at 7:30 p.m.,the best of Fall 2015 perform at the Fall Honors Recital in the Elizabeth Pastor Recital Hall. Students who accomplished exceptional musical work during the semester will showcase their vocal and instrumental talents as selected by their private teachers.

AU Music Begins New Year with Thomas Reed's 31st Faculty Recital

The Department of Music at Ashland University announces its first recital of the new academic year with the celebration of Dr. Thomas Reed's 31st annual faculty recital on Sunday, October 4 at 7:30 p.m. in the Elizabeth Pastor Recital Hall in the Center for the Arts. 

For his 31st consecutive annual recital, Dr. Reed will perform on clarinet and saxophone with fellow musicians Susan Gregg, piano; Scott Garlock, trombone; Jane Reed, violin; Lanny Gooding, piano; Paul Martin, bass; and Steve Berry, drums.

His program will include an eclectic collection from his transcription of Tchaikovsky's Serenade Melancolique, op. 26; to Leonard Berstein's Sonata for Clarinet and Piano and Paquito D'Rivera's Contradanza. The program continues with Dr. Reed's arrangement of George Gershwin's Promenade (Walkin' the Dog), Golden and Hubbell's Poor Butterfly, I Have Waited So Longby Sarah Vaughan, Chega de Saudade (No More Blues) by Antonio Carlos Jobim, and concludes with Duke Ellington's Ring Dem Bells.

Dr. Reed Presents His 30th Annual Faculty Recital

Join Dr. Thomas Reed, Music Department Chair and Professor of Music, as he celebrates his 30th annual faculty recital at Ashland University on Sunday, January 25 at 7:30 p.m. in the Elizabeth Pastor Recital Hall.

His first recital was held on on May 9, 1985 when he performed with pianist Jennifer Byers, trumpeter Doug Huey, and guitarist Kevin Miller.  The following year marked the first of many collaborations with pianist Liz Pastor. Every year after he designed a new program of music, working with old and new musical acquaintances in a variety of repertoire.

This year he will be joined by Susan Gregg, piano; and the Ashland Symphony Quartet including Michelle Abraham and Jane Reed, violin; Monica Reineck, viola and Miles Richardson, cello. The program includes pieces by J. S. Bach, Paul Creston, Astor Piazzolla and W. A. Mozart's Quintet.   Free & Open to the Public.

REED PRESENTS RECITAL OF CLARINET FAVORITES AND SAXOPHONE JAZZ SELECTIONS

Ashland University Department of Music presents a faculty recital by Thomas Reed, Professor of Music and Music Department Chair, and pianist Susan Gregg on Thursday, October 31, 7:30 p.m., in the Elizabeth Pastor Recital Hall located down the hall from Hugo Young Theatre in the Center for the Arts.  The concert is free and open to the public.

The recital begins with Dr. Reed on clarinet performing pieces including one of Witold Lutoslawski's most popular works Dance Preludes which is based on Polish folk dances, and Camille St. Saens' cherished Sonate for Clarinet. After a brief intermission, Dr. Reed will switch to the saxophone for jazz selections with Lanny Gooding, piano; Tim Powell, bass; Rich Moore, drums; Scott Garlock, trombone; and Amanda Bekeny, trumpet. Music may include Nica's Dream, The Nearness of You, Samba de Orfeu, Too Close for Comfort, 4:30 Blues, and Jumpin' at the Woodside.

Dr. Reed joined the Ashland University faculty in 1986. He is a member of the Akron Symphony and Ashland Symphony, was a long-time member of the Cleveland Jazz Orchestra, and has performed on clarinet or saxophone with the Cleveland Chamber Symphony, Cleveland Orchestra, Blossom Festival Orchestra, Pro Musica Chamber Orchestra, Dayton Philharmonic, Youngstown Symphony, Blossom Festival Band and the Jazz Unit. He has been soloist with the Akron, Mansfield and Ashland Symphonies and performs on recordings from the Akron Symphony, Cleveland Chamber Symphony, Cleveland Jazz Orchestra and the Paul Ferguson Jazz Orchestra. His clarinet CD “Mutually Inclusive” was released in 2008 on Capstone Records. He is also a founding member of IRON TOYS, a woodwind quartet that performs original repertoire for saxophones, clarinets and flutes. He holds degrees from The Ohio State University, the University of Michigan and the University of Akron.

FLUTIST LINDSEY GOODMAN PRESENTS FACULTY RECITAL, SUNDAY, OCT. 6

Ashland University Department of Music presents a faculty recital by adjunct instructor of flute Lindsey Goodman on Sunday, October 6, 3 p.m., in the Elizabeth Pastor Recital Hall.  The concert is free and open to the public.

Featuring the world premiere of Judith Shatin's Penelope's Song for flute and electronics, which was commissioned by and dedicated to Lindsey -- the recital is electroacoustic with electronics and acoustic flute playing hand-in-hand to create a chamber music experience with only one performer. Lindsey has presented over 15 of these performances in six states over the past five seasons.  

An avid performer of new music, “flutist Lindsey Goodman appears to know no fear in tackling the most demanding music” (Tribune-Review). A strong advocate for emerging composers and electroacoustic or multimedia works, Lindsey is an active commissioner of new pieces, and has given over fifty-five world premieres, including nineteen solo and chamber compositions written especially for her.

MUSIC FACULTY SHOWCASE TALENTS AT CHAMBER RECITAL

Directed by Arie Lipsky, several faculty members from the Ashland University Department of Music combine and showcase their talents with Lipsky for a chamber ensemble recital on Sunday, March 24 at 7:30 p.m. in the Elizabeth Pastor Recital. The performance is free and open to the public.

The program begins with William Bergsma's "Four All" featuring Lipsky on cello; Thomas Reed, clarinet; Scott Garlock, trombone; and Jeff Neitzke, percussion followed by Arthur Honegger's "Trois Contrepoints" performed by Lipsky; Jane Berkner on piccolo; Jane Reed, violin; Andria Hoy, oboe and English horn. Flutist Jane Berkner and Jeff Neitzke on marimba perform Gareth Farr's "Kembang Suling" in three movements followed by Astor Piazzolla's "Primavera Portena" with clarinetist Thomas Reed, Lipksy on cello, and pianist Pavlina Draganova. After a brief intermission, the recital concludes with Jean Francaix's "Octuor" conducted by Lipsky and performed by violinists Michelle Abraham and Jane Reed; Jim Froelich, viola; Miles Richardson, cello; Dave Lenigan, bass; Thomas Reed, clarinet; Ian Hoy, bassoon and Mike Metcalf, horn.

Known in the Ashland area as the music director and conductor for the Ashland Symphony Orchestra, Arie Lipsky is a native of Haifa, Israel, where he received extensive training as a cellist and flutist. He holds degrees in Aeronautical Engineering and Music which he received before serving in the Israeli armed forces as a tank commander. After moving to the United States, Arie served as Assistant Conductor of the Cleveland Institute of Music Orchestra and graduated from there with distinction. During this period he also assumed conducting responsibilities with the Ohio Light Opera. He moved to Buffalo, New York in 1984 to become the Philharmonic's principal cellist and, in 1990, also became the Resident Conductor, a position he held for twelve years. Maestro Lipsky is currently in his seventeenth season as Music Director and Conductor of the Ashland Symphony Orchestra, and also in his thirteenth season as Music Director and Conductor of the Ann Arbor (Michigan) Symphony.

BACK-TO-BACK FACULTY AND GUEST ARTIST RECITALS ON FEB. 4 & 5

The Department of Music at Ashland University will present a faculty recital and a guest artist recital on back-to-back days Monday, February 4 and Tuesday, February 5 at 7:30 p.m. each evening in the Elizabeth Pastor Recital Hall. The Monday evening recital will feature Music Department Chair and Professor of Music Dr. Thomas Reed on clarinet and saxophone, while the Tuesday recital features mezzo-soprano Dr. Susan Olson. The performances are free and open to the public.

Please note that Dr. Reed's recital has been rescheduled to a different date than what was originally published. He will be assisted by pianist Pavlina Draganova and violinist Jane Reed on his program including music by Dvorak, Maurice, Bonneau and Bartok.

Dr. Reed joined the music faculty at Ashland University in 1986 and has taught in a number of areas including applied woodwinds, music theory, and jazz studies. He is a member of the Akron Symphony (bass clarinet), Ashland Symphony (principal clarinet), and the Cleveland Jazz Orchestra (saxophone), and has performed on clarinet or saxophone with the Cleveland Chamber Symphony, Cleveland Orchestra, Blossom Festival Orchestra, Pro Musica Chamber Orchestra, Dayton Philharmonic, Youngstown Symphony, Blossom Festival Band, and the Jazz Unit. He has been soloist with the Akron, Mansfield, and Ashland Symphonies and performs on CDs from the Akron Symphony, Cleveland Chamber Symphony, Cleveland Jazz Orchestra, and the Paul Ferguson Jazz Orchestra. His clarinet CD “Mutually Inclusive” was released in 2008 on Capstone Records. He holds degrees from The Ohio State University, the University of Michigan, and the University of Akron.

The Department of Music is pleased to welcome Dr. Olson back to her home state of Ohio for a guest artist recital. She received her Bachelor of Music in Vocal Performance from Capital University Conservatory of Music, and her Master of Arts in Vocal Pedagogy and Doctor of Musical Arts in Vocal Performance from The Ohio State University. Dr. Olson is currently Visiting Assistant Professor of Voice at the University of Texas at San Antonio. She has performed as soloist with the San Antonio (TX) Symphony Orchestra, Monroe (LA) Symphony Orchestra, the Westerville (OH) Symphony Orchestra, and the Zanesville (OH) Civic Orchestra and with many professional choral ensembles in her home state of Ohio. Dr. Olson has had the opportunity to perform and record under the baton of many well-known conductors, most notably the late Robert Shaw – with the Atlanta Symphony Orchestra and Chorus and at Carnegie Hall and in the south central region of France, as a member of the Robert Shaw Festival Singers.

Dr. Olson has performed with San Antonio Opera as the Mistress of the Novices in Puccini’s Suor Angelica, Louisiana Lyric Opera as Ruth in Gilbert and Sullivan’s Pirates of Penzance and Opera/Columbus’ Education Outreach Program as The Narrator in Mark Bucci’s Sweet Betsy from Pike. Some other operatic roles performed include la zia principessa in Puccini’s Suor Angelica, Madame Flora in Menotti's The Medium, The Old Lady in Bernstein’s Candide, Cecilia March in Adamo's Little Women, Isabella in Rossini’s L'Italiana in Algeri, and Mrs. Anderssen in Sondheim’s A Little Night Music.

MUSIC FACULTY COMBINE TALENTS FOR CHAMBER ENSEMBLE RECITAL

Directed by Arie Lipsky, several faculty members from the Ashland University Department of Music combine their talents with Lipsky for a chamber ensemble recital on Sunday, April 10 at 7:30 p.m. in the Elizabeth Pastor Recital.  The performance is free and open to the public.

The program begins with the faculty wind quartet performing Gioacchino Rossini’s “Quartet No. 6 in B-flat” featuring Arie Lipsky on flute; Thomas Reed, clarinet; Ian Hoy, bassoon; and Michael Metcalf, horn.  A faculty trio with soprano Denise Milner Howell, cellist Arie Lipsky and pianist Megan Barth will then present Johannes Brahms “Two Songs, Op. 91.”  Combining many elements of jazz with ragtime, the faculty trio of Thomas Reed on clarinet; Arie Lipksy, cello; and Pavlina Draganova, piano will perform Paul Schoenfield’s “Café Music.”  The program will conclude with a sextet playing the four movement suite of Bohuslav Martinu’s jazz ballet “La Revue de Cuisine” including Prologue (Marche), Tango, Charleston and Final.  The sextet features violinist Jane Reed, cellist Arie Lipsky, clarinetist Thomas Reed, bassoonist Ian Hoy, Amanda Bekeny on trumpet and Pavlina Draganova, piano.

Known in the Ashland area as the music director and conductor for the Ashland Symphony Orchestra, Arie Lipsky is a native of Haifa, Israel, where he received extensive training as a cellist and flutist.  He holds degrees in Aeronautical Engineering and Music which he received before serving in the Israeli armed forces as a tank commander. After moving to the United States, Arie served as Assistant Conductor of the Cleveland Institute of Music Orchestra and graduated from there with distinction.  During this period he also assumed conducting responsibilities with the Ohio Light Opera.  He moved to Buffalo, New York in 1984 to become the Philharmonic's principal cellist and, in 1990, also became the Resident Conductor, a position he held for twelve years.  Maestro Lipsky is currently in his fifteenth season as Music Director and Conductor of the Ashland Symphony Orchestra, and also in his eleventh season as Music Director and Conductor of the Ann Arbor (Michigan) Symphony.  

BENNETT AND DRAGANOVA PRESENT FACULTY RECITAL

The Department of Music at Ashland University presents a faculty recital with soprano Dione Bennett and pianist Pavlina Draganova on Sunday, February 26 at 5:00 p.m. in the Elizabeth Pastor Recital Hall. The concert is free and open to the public.

The concert program offers a "World of Colors" through the Latin rhythms of Xavier Montsalvage, the jazz fusion of Ricky Ian Gordan, the classical musings of Robert Owens, H. T. Burleigh, John Carter and Rosephanye Powell. Bennett will also highlight the poetry of Langston Hughes.

An established pedagogue, Bennett is in her eighth year at Ashland University and is an active member of the National Association of Teachers of Singing (NATS). She expects the conferral of her doctorate in May from the University of Illinois where she studied with professor Cynthia Haymon. Further study has taken her to Graz, Austria with the American Institute of Musical Studies (AIMS) where an Austrian newspaper said she was “the discovery of the evening”. A performer in such operatic roles as Micaela (Carmen), Bess (Porgy and Bess); Mimi (La Bohéme); Suor Genevieffa (Suor Angelica); and Lucy (Treemonisha); and such oratorio’s as Handel's Messiah, Beethoven's Ninth Symphony and Mass in C, Schubert's Mass in G, Dubois' Seven Last Words of Christ, and Mozart's Vespers, she has been featured with the Warren Philharmonic, Akron Symphony, Ashland Symphony, Metropolitan Chamber Orchestra, Columbus Symphony, Eastern Illinois Symphony as well as Cleveland Opera and Opera Western Reserve. As an avid recitalist, she paired with pianist John Wustman singing Brahms, Berlioz, and Burleigh as well as a journey of the development of spirituals.

A native of Bulgaria, Mrs. Draganova is a staff accompanist at Ashland University and the principal pianist of Ashland Symphony Orchestra. She earned her first masters degree in piano performance from Pancho Vladigerov State Academy of Music, Sofia studying with Stela Dimitrova and the prominent Bulgarian piano duo Konstantin and Julia Ganev. After moving to the United States, she graduated with a masters in piano performance from The University of Michigan where she was a student of Louis Nagel. Mrs. Draganova has been on the faculties of the Music High School, Plovdiv; The Academy of Music, Dance and Fine Arts, Plovdiv; and Pancho Vladigerov State Academy of Music, Sofia. An active performer as a collaborative and solo musician, Pavlina has performed in major cities in Bulgaria, Michigan and Ohio, and appeared as a soloist with the Plovdiv Symphony Orchestra under Maesto Dobrin Petkov. As a member of the Michigan Music Teachers Association she performed at the organization's 120th State Conference.

FACULTY PIANO RECITAL FEB. 12

The Department of Music at Ashland University presents a faculty recital with pianist Pavlina Draganova on Sunday, February 12 at 7:30 p.m. in the Elizabeth Pastor Recital Hall. The concert is free and open to the public.

The concert program begins with J. S. Bach's "The Well-Tempered Clavier" followed by Beethoven's Sonata Nr. 21 in C Major, and "Reflections in the Water" from Debussy's Book 1 of "Images."  After a brief intermission, Pavlina performs Rachmaninov's Variations on a Theme by Corelli, Op. 42 and Liszt's Hungarian Rhapsody in A minor. 

A native of Bulgaria, Mrs. Draganova is a staff accompanist at Ashland University and the principal pianist of Ashland Symphony Orchestra. She earned her first masters degree in piano performance from Pancho Vladigerov State Academy of Music, Sofia studying with Stela Dimitrova and the prominent Bulgarian piano duo Konstantin and Julia Ganev.  After moving to the United States, she graduated with a masters in piano performance from The University of Michigan where she was a student of Louis Nagel.  Mrs. Draganova has been on the faculties of the Music High School, Plovdiv; The Academy of Music, Dance and Fine Arts, Plovdiv; and Pancho Vladigerov State Academy of Music, Sofia.  An active performer as a collaborative and solo musician, Pavlina has performed in major cities in Bulgaria, Michigan and Ohio, and appeared as a soloist with the Plovdiv Symphony Orchestra under Maesto Dobrin Petkov. As a member of the Michigan Music Teachers Association she performed at the organization's 120th State Conference.

FACULTY FLUTE & PIANO RECITAL SLATED FOR FEB. 5

The Department of Music at Ashland University presents a faculty recital with flutist Jane Berkner and pianist Kim Bakkum on Sunday, February 5 at 3:00 p.m. in the Elizabeth Pastor Recital Hall. The concert is free and open to the public.

Jane Berkner and Kim Bakkum have been performing together since 1997 appearing in concert venues across the Midwest, as well as Sere Musicale and Corofest Assisi in Italy. They have performed for the National Flute Association and with the Singers Companye at the National Gallery in Washington, DC; and in 2007 released a CD together, “In Cynthia’s Garden”.  For their faculty recital at Ashland, they will perform works by Paul Taffanel, Fikret Amirov, Shulamit Ran, Daniel Dorff, Carl Reinecke and Michael Garson.

Jane Berkner is on the music faculties of both Ashland University and the University of Akron, and has performed with the Akron, Ashland, Canton and Youngstown Symphonies, the Ohio Ballet Orchestra, O’Neil Chamber Players and the Chamber Music Society of Ohio. Currently performing with guitarist Stephen Aron in the duo AronBerkner, they are presenting concerts across the United States, and will be playing and teaching at Suonare in Italia in Assisi, Italy during the summer of 2012.  Recognized for her expertise as a flute choir director, she was coordinator of the National Flute Association’s High School Flute Choir from 2001 to 2006, and is the director of a summer flute choir camp for adults at the Interlochen Center for the Arts.  She is also arts and enrichment director for the Conservancy for Cuyahoga Valley National Park, and currently serves on the board of directors of the Ohio Arts Presenters Network.  www.janeberkner.com

A Montana native, Kim Bakkum is an active pianist in the Akron-Cleveland area of Ohio.  She holds a masters in piano performance from Western Michigan University, and has done extensive studies in art song and opera in Graz and Vienna, Austria.  She has been on the faculties of the University of Montana, the University of Akron and Kent State University.  She has performed with Cleveland Opera on Tour, Porthouse Summer Theatre, O’Neil Chamber Players, Canton Players Guild, the Wiener Symphoniker Percussion and Flute Seminars, and was coordinator of piano studies for the Western Michigan High School piano camp.  She has been chairperson of the Independent Music Teachers Forum for the state of Ohio, and is a popular adjudicator and clinician throughout the state.